Yiru picked up her first camera at the age of 10, drawn instinctively to the shapes, shadows, and stillness that form the architecture of the world. What began as an intuitive act of observation has since evolved into a deeper dialogue between lens, light, and landscape.

In 2019, an experience became a pivotal moment in her visual journey. Surrounded by unfamiliar people and places, she began to realize that photography was not just about capturing beauty — it was about forming an emotional resonance with the world.

Now based in Paris, Yiru’s work focuses on expressing the emotional temperature of a city through light, reflection, and the delicate interactions between humans and their environments. She often uses mirrors, architectural fragments, and natural textures to reveal hidden layers of feeling in urban life.

For her, the world is a playground where she roams intuitively — shaping moments through light, material, posture, and timing. As an emotional sculptor, she uses photography to carve the ever-shifting architecture of perception.

Yiru 在 10 岁那年拿起第一台相机，从那一刻起，光影、结构与静止画面便成为她与世界对话的方式。 这种本能的凝视逐渐成长为一种更深层的视觉语言。

2019 年在尼泊尔的经历成为她创作路径中的转折点。 初次直面陌生文化与人的凝视，她意识到摄影不只是记录，更是一种与世界建立情感联系的方式。

如今居住在巴黎的她，关注城市的情绪如何通过光影与环境中的介质呈现出来。人、建筑、自然纹理，这些在她镜头下构建了城市的情感温度和节奏。

对 Yiru 来说，世界是一座游乐场，她在其中自由游走，用光、材质、姿态和等待，去“使发生”某种时刻的凝固。她是一位情感的雕刻师，以影像为工具，勾勒流动的精神结构。